CINEVAULT

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Hollywood’s brightest stars and movies from the Golden Age of Hollywood.

American Madness

American Madness

During the Depression, the bank owned by generous Dickson (Walter Huston) is barely staying afloat, and things get worse when $100,000 is lifted from the vault. Fingers are pointed at reformed crook Matt (Pat O'Brien), who got a job and a fresh start from Dickson. The innocent Matt can clear his name by admitting that on the night of the robbery he was breaking up a tryst between Dickson's wife and another teller. But this revelation may crush Dickson, and Matt's conscience plays tug-of-war.

The Jolson Story

At the turn of the 20th century, young Asa Yoelson (Scotty Beckett) decides to go against the wishes of his cantor father (Ludwig Donath) and pursue a career in show business. Gradually working his way up through the vaudeville ranks, Asa -- now calling himself Al Jolson (Larry Parks) -- joins a blackface minstrel troupe and soon builds a reputation as a consummate performer. But as his career grows in size, so does his ego, resulting in battles in business as well as in his personal life.

Shopworn

Lovely waitress Kitty Lane (Barbara Stanwyck) is all set to marry the rich and debonair David Livingston (Regis Toomey). But David's snobbish mother, Helen (Clara Blandick), doesn't want her son consorting with Kitty's kind, so she pulls some strings with her powerful friends and has the young woman sent to jail. When Kitty gets out, she takes a singing gig in a nightclub and skyrockets to fame. David tracks Kitty down and tries to rekindle things, while Helen works on a new scheme to deter him.

Diamond Head

The head (Charlton Heston) of a Hawaiian pineapple dynasty refuses to let his sister (Yvette Mimieux) marry a native.

Born Yesterday

Brassy blonde moll Billie Dawn (Judy Holliday) hits Washington, D.C., with her unscrupulous millionaire sugar daddy, Harry Brock (Broderick Crawford), and his sleazy lawyer, Jim Devery (Howard St. John), who has been pressuring Harry to marry Billie by pointing out that a wife cannot be forced to testify against her husband. In an effort to make Billie more socially acceptable, Harry hires journalist Paul Verrall (William Holden) to smarten her up -- and sparks soon fly between the pair.

Queen Bee

In the 1950s American South, the vicious and conniving Eva Phillips (Joan Crawford) makes the lives of those around her miserable -- especially her husband, Avery (Barry Sullivan), who resorts to heavy drinking and becomes an alcoholic. Meanwhile, when Eva discovers her sister-in-law (Betsy Palmer) is to wed her former lover (John Ireland), she really becomes nasty. Witnessing Eva's cruel exploits is Avery's cousin, Jennifer Stewart (Lucy Marlow), who can only stand by, mortified.

The Whole Town's Talking

Clerk Arthur Jones (Edward G. Robinson) lives a dull life until someone realizes that he looks like gangster "Killer" Mannion (also Robinson). After Jones is brought in by the police and his identity is verified, he is given a note to assuage any other suspicious policeman. Jones is hired by a newspaper to write about Mannion and starts dating Wilhelmina Clark (Jean Arthur). However, when Jones returns home one night, Mannion is waiting and demands the note so that he can roam freely.

Let's Do It Again

In this musical comedy, composer Gary Stuart (Ray Milland) and his wife, Connie (Jane Wyman), have an argument over her alleged affair with Courtney Craig (Tom Helmore). The Stuarts agree to get divorced, and each tries to move on to a new love: Gary with socialite Deborah Randolph (Karin Booth) and Connie with businessman Frank McGraw (Aldo Ray). However, they start to realize that they still have strong feelings for each other. The Stuarts must make a decision before their divorce is final.

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