CINEVAULT

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Hollywood’s brightest stars and movies from the Golden Age of Hollywood.

The Happy Time

The Happy Time

A large French-Canadian family suddenly expands when father Jacques (Charles Boyer) invites an out-of-work magician's assistant to be their live-in maid. At the same time, charming ladies' man Uncle Desmond (Louis Jourdan) comes back to town to replace a sales manager who has died, and subsequently begins a romance with the new maid. Jacques' son Bobby watches these interactions with confused curiosity as he makes the tough transition from boyhood to adolescence.

Let's Do It Again

In this musical comedy, composer Gary Stuart (Ray Milland) and his wife, Connie (Jane Wyman), have an argument over her alleged affair with Courtney Craig (Tom Helmore). The Stuarts agree to get divorced, and each tries to move on to a new love: Gary with socialite Deborah Randolph (Karin Booth) and Connie with businessman Frank McGraw (Aldo Ray). However, they start to realize that they still have strong feelings for each other. The Stuarts must make a decision before their divorce is final.

Oliver!

In this award-winning adaptation of the Broadway musical based on the Charles Dickens novel, 9-year-old orphan Oliver Twist (Mark Lester) falls in with a group of street-urchin pickpockets led by the Artful Dodger (Jack Wild) and masterminded by the criminal Fagin (Ron Moody). When Oliver's intended mark, Mr. Brownlow (Joseph O'Conor), takes pity on the lad and offers him a home, Fagin's henchman Bill Sikes (Oliver Reed) plots to kidnap the boy to keep him from talking.

Anatomy of a Murder

Semi-retired Michigan lawyer Paul Biegler (James Stewart) takes the case of Army Lt. Manion (Ben Gazzara), who murdered a local innkeeper after his wife (Lee Remick) claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick (Brooks West) and out-of-town prosecutor Claude Dancer (George C. Scott) to set his client free, but his case rests on the victim's mysterious business partner (Kathryn Grant), who's hiding a dark secret.

Bad for Each Other

Dr. Tom Owen (Charlton Heston) is an Army doctor on leave to visit his mother, who still lives in the poor Pennsylvania mining town where he grew up. After falling in love with wealthy socialite Helen Curtis (Lizabeth Scott), Tom turns down a position as the local doctor and takes a lucrative job at an elite Pittsburgh clinic. Though he's happy with his newfound success and his recent engagement to Helen, a cave-in at the town mine forces Tom to decide where his heart really lies.

First Men in the Moon

Around the turn of the 20th century, Joseph Cavor (Lionel Jeffries), a brilliant British scientist, creates his own spacecraft and takes a trip to the moon, accompanied by explorers Arnold Bedford (Edward Judd) and Kate Callender (Martha Hyer). After landing, they encounter an insect-like alien race that lives under the moon's surface, which has an air-like atmosphere. After glimpsing the extraterrestrial society, the group must soon escape back to Earth.

The Undercover Man

Determined Treasury Department investigator Frank Warren (Glenn Ford) goes after a ruthless mobster known as The Big Fellow. When a key informant is murdered, Warren pursues the gangster on charges of tax evasion. But, with a slick mob lawyer hampering him at every turn, and threats being lobbed toward Warren's wife (Nina Foch), the lawman's chances of achieving a conviction are slim to none. His only hope is that one syndicate bookkeeper will have the courage to turn state's evidence.

Middle of the Night

Jerry Kingsley (Fredric March) is a wealthy garment manufacturer left lonely in his 60s when his wife dies. Despite the difference in their ages, he strikes up a romance with divorced 24-year-old receptionist Betty (Kim Novak). The relationship is dismissed by his daughter, Lillian (Joan Copeland), discouraged by his sister, Evelyn (Edith Meiser), and denounced by Betty's mother (Glenda Farrell) -- but when Jerry begins to mention marriage, even Betty is forced to confront her ambivalence.

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