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Hollywood’s brightest stars and movies from the Golden Age of Hollywood.
The Jolson Story
At the turn of the 20th century, young Asa Yoelson (Scotty Beckett) decides to go against the wishes of his cantor father (Ludwig Donath) and pursue a career in show business. Gradually working his way up through the vaudeville ranks, Asa -- now calling himself Al Jolson (Larry Parks) -- joins a blackface minstrel troupe and soon builds a reputation as a consummate performer. But as his career grows in size, so does his ego, resulting in battles in business as well as in his personal life.
Born Yesterday
Brassy blonde moll Billie Dawn (Judy Holliday) hits Washington, D.C., with her unscrupulous millionaire sugar daddy, Harry Brock (Broderick Crawford), and his sleazy lawyer, Jim Devery (Howard St. John), who has been pressuring Harry to marry Billie by pointing out that a wife cannot be forced to testify against her husband. In an effort to make Billie more socially acceptable, Harry hires journalist Paul Verrall (William Holden) to smarten her up -- and sparks soon fly between the pair.
We Were Strangers
When her brother is murdered, China Valdez (Jennifer Jones) swears revenge on the corrupt Cuban government he had been protesting. She joins the resistance led by Tony (John Garfield), an American with a plan that promises devastating results to their enemies. First they'll kill a government official, then plant a bomb at the funeral, which will wipe out the dead man's associates when it explodes. All they need to do is to dig an underground tunnel from China's house to the cemetery next door.
Miss Sadie Thompson
In the Pacific after the war, a U.S. Marine unit that includes Sgt. Phil O'Hara (Aldo Ray) is awaiting discharge when missionary Alfred Davidson (Jose Ferrer), physician Dr. Robert McPhail (Russell Collins) and singer Sadie Thompson (Rita Hayworth) arrive at the base. The soldiers are delighted by the spirited, friendly Sadie, and Phil falls in love with her. Davidson, however, unearths a secret in Sadie's past and, blocking her attempt to leave the island, demands that she repent.
Bad for Each Other
Dr. Tom Owen (Charlton Heston) is an Army doctor on leave to visit his mother, who still lives in the poor Pennsylvania mining town where he grew up. After falling in love with wealthy socialite Helen Curtis (Lizabeth Scott), Tom turns down a position as the local doctor and takes a lucrative job at an elite Pittsburgh clinic. Though he's happy with his newfound success and his recent engagement to Helen, a cave-in at the town mine forces Tom to decide where his heart really lies.
Love Has Many Faces
Wealthy Kit Jordan (Lana Turner) and her dissolute husband, Pete (Cliff Robertson), are in Acapulco, Mexico, when a corpse washes onto the beach. The deceased was a lover of Kit's and a friend of Pete's, so the police question the Jordans. Then the dead man's girlfriend (Stefanie Powers) arrives, and she and Pete have an affair. Luckily, Kit has her choice of men to distract her. There is gigolo Hank (Hugh O'Brian), bullfighter Julian (Carlos Montalban) and, when in a pinch, even her husband.
Mickey One
Stand-up comic Mickey One (Warren Beatty) is fearful that the gambling debts he amassed have made him a marked man in the Detroit clubs that he frequents. Assuming a false identity, Mickey flees to Chicago, where he cautiously resumes his career at the upscale Club Xanadu. When club owner Ed Castle (Hurd Hatfield) offers Mickey a shot at auditioning for an unknown man with reputed connections in the Midwest, the increasingly paranoid Mickey fears that the mob has finally closed in on him.
Divorce American Style
Suburban couple Richard Harmon (Dick Van Dyke) and his wife, Barbara (Debbie Reynolds), have exhausted their patience in their marriage. Bored and no closer to fixing their problems through counseling, the couple opts to divorce, and the proceeding tug-of-war over children, money and possessions reveals that maintaining their marriage was far easier than ending it. Along the way are attempts for both at new relationships, with the subject of alimony playing a hidden role in matters.