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Hollywood’s brightest stars and movies from the Golden Age of Hollywood.
American Madness
During the Depression, the bank owned by generous Dickson (Walter Huston) is barely staying afloat, and things get worse when $100,000 is lifted from the vault. Fingers are pointed at reformed crook Matt (Pat O'Brien), who got a job and a fresh start from Dickson. The innocent Matt can clear his name by admitting that on the night of the robbery he was breaking up a tryst between Dickson's wife and another teller. But this revelation may crush Dickson, and Matt's conscience plays tug-of-war.
Under the Yum Yum Tree
Libidinous Hogan (Jack Lemmon) is a landlord who prefers to rent his rooms to attractive single females. Hogan is instantly smitten with a pretty new tenant named Robin (Carol Lynley), but realizes that he'll have to contend with Robin's boyfriend, David (Dean Jones), if he's to attain the object of his desire. He gets his opportunity when he learns that the couple's living arrangement is a pre-marital experiment to see if they would be compatible as partners when sex is out of the equation.
You Were Never Lovelier
Bob Davis (Fred Astaire), an American dancer in Buenos Aires, Argentina, finds himself desperate for work after losing all his money. He takes a gig at a wedding, hoping to impress the bride's father, Eduardo Acuña (Adolphe Menjou), a local club owner who has decreed that his daughters must marry in order of age. Eduardo eventually agrees to allow Bob to perform at his club, but only under the condition that he play suitor to his second-oldest daughter, the beautiful Maria (Rita Hayworth).
Bell, Book and Candle
In the late 1950s, Gillian Holroyd (Kim Novak) is a modern-day witch living in New York City's Greenwich Village. When she encounters charming publisher Shepherd Henderson (James Stewart), she decides to make him hers by casting a love spell. Gillian takes added pleasure in doing so because Henderson is engaged to her old college rival (Janice Rule). However, Gillian finds herself actually falling for Shepherd, which poses a problem: She will lose her powers if she falls in love.
Holiday
Johnny (Cary Grant) seems like a solid match for Julia (Doris Nolan), the socialite daughter of Edward Seton (Henry Kolker). Assured that Johnny is a worthy suitor, Edward approves of the pairing. But, as Johnny's wanderlust surfaces -- he is more interested in traveling than in business -- Edward starts to have doubts. Johnny also begins to wonder if he might not be a better match for Linda (Katharine Hepburn), Julia's outspoken younger sister, with whom he has much more in common.
Cactus Flower
Distraught when her middle-aged lover breaks a date with her, 21-year-old Toni Simmons (Goldie Hawn) attempts suicide. Impressed by her action, her lover, dentist Julian Winston (Walter Matthau) reconsiders marrying Toni, but he worries about her insistence on honesty. Having fabricated a wife and three children, Julian readily accepts when his devoted nurse, Stephanie (Ingrid Bergman), who has secretly loved Julian for years, offers to act as his wife and demand a divorce.
A Man for All Seasons
When the highly respected British statesman Sir Thomas More (Paul Scofield) refuses to pressure the Pope into annulling the marriage of King Henry VIII (Robert Shaw) and his Spanish-born wife, More's clashes with the monarch increase in intensity. A devout Catholic, More stands by his religious principles and moves to leave the royal court. Unfortunately, the King and his loyalists aren't appeased by this, and press forward with grave charges of treason, further testing More's resolve.
Guess Who's Coming to Dinner
When Joanna Drayton (Katharine Houghton), a free-thinking white woman, and black doctor John Prentice (Sidney Poitier) become engaged, they travel to San Francisco to meet her parents. Matt Drayton (Spencer Tracy) and his wife Christina (Katharine Hepburn) are wealthy liberals who must confront the latent racism the coming marriage arouses. Also attending the Draytons' dinner are Prentice's parents (Roy E. Glenn Sr., Beah Richards), who vehemently disapprove of the relationship.