Hollywood’s brightest stars and movies from the Golden Age of Hollywood.

The Chase

When "Bubber" Reeves (Robert Redford) escapes from prison, it upsets the folks in the nearby town of Tarl, Texas. Sheriff Calder (Marlon Brando) wants to capture Reeves alive, which puts him in opposition to many of the townspeople who have resorted to mob justice. Businessman Val Rogers (E.G. Marshall) wants Calder to apprehend Reeves quickly, through any means, since he fears the criminal will come after Val's son, Jake, who is sleeping with Reeves' wife (Jane Fonda).

Shopworn

Lovely waitress Kitty Lane (Barbara Stanwyck) is all set to marry the rich and debonair David Livingston (Regis Toomey). But David's snobbish mother, Helen (Clara Blandick), doesn't want her son consorting with Kitty's kind, so she pulls some strings with her powerful friends and has the young woman sent to jail. When Kitty gets out, she takes a singing gig in a nightclub and skyrockets to fame. David tracks Kitty down and tries to rekindle things, while Helen works on a new scheme to deter him.

The Ambushers

A secret agent (Dean Martin) saves a flying-saucer prototype and its pilot (Janice Rule) in the third of four Matt Helm movies.

Operation Mad Ball

Posted in France, Pvt. Hogan (Jack Lemmon) falls hard for Betty Bixby (Kathryn Grant), a nurse who happens to be a lieutenant, which means they are forbidden to fraternize due to their ranks. Always one to skirt the rules, Hogan, with the help of his friend Cpl. Bohun (Dick York), cooks up a scheme to throw a clandestine ball for all the soldiers and nurses. But the two have their work cut out for them when the authoritative Capt. Paul Lock (Ernie Kovacs) starts breathing down their necks.

Hot Blood

A Gypsy king (Luther Adler) tricks his brother (Cornel Wilde) in Los Angeles into marrying a Roma bride (Jane Russell) that he bought.

Queen Bee

In the 1950s American South, the vicious and conniving Eva Phillips (Joan Crawford) makes the lives of those around her miserable -- especially her husband, Avery (Barry Sullivan), who resorts to heavy drinking and becomes an alcoholic. Meanwhile, when Eva discovers her sister-in-law (Betsy Palmer) is to wed her former lover (John Ireland), she really becomes nasty. Witnessing Eva's cruel exploits is Avery's cousin, Jennifer Stewart (Lucy Marlow), who can only stand by, mortified.

Loss of Innocence

Left alone because of their mother's sudden hospitalization during a vacation in France, four British children have to fend for themselves. They stay at a hotel, where, despite the reticence of owner Madame Zisi (Danielle Darrieux), they are befriended by her lover, Eliot (Kenneth More). Joss (Susannah York), the eldest of the children, runs afoul of Madame Zisi, who thinks Eliot is spending too much time with her and causes a scene. Robbed of Eliot's attention, Joss denounces him to the police.

In the French Style

Aspiring artist Christina James (Jean Seberg) leaves the safety of her family and the simplicity of Midwestern America to study painting in Paris and finds herself on a bittersweet journey of self-discovery. As if her love life weren't complicated enough, the ennui she faces as a result of her romantic indecision makes daily life all the more complex. When her father (Addison Powell) travels to Paris and offers to bring her home, the consequences of her decisions may haunt the rest of her life.

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