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Hollywood’s brightest stars and movies from the Golden Age of Hollywood.
Jeanne Eagels
In this biopic, waitress Jeanne Eagels (Kim Novak) is desperate for fame and joins the carnival to try to achieve it. Under the watchful eye of impresario Sal Satori (Jeff Chandler), Eagels becomes a dancer -- a position that eventually brings her to New York City. With her heart set on filling a Broadway marquee with her name, Eagels takes acting lessons and earns a job as an understudy for a big production. But what she really wants is the starring role -- and she'll hurt anyone to get it.
Bell, Book and Candle
In the late 1950s, Gillian Holroyd (Kim Novak) is a modern-day witch living in New York City's Greenwich Village. When she encounters charming publisher Shepherd Henderson (James Stewart), she decides to make him hers by casting a love spell. Gillian takes added pleasure in doing so because Henderson is engaged to her old college rival (Janice Rule). However, Gillian finds herself actually falling for Shepherd, which poses a problem: She will lose her powers if she falls in love.
The Guilt of Janet Ames
War widow Janet Ames (Rosalind Russell) is struck by a car, and later her doctors suspect she may have been attempting suicide. A note in her pocket lists five men whom her husband died saving in battle, and they are contacted to help Janet's recovery. The first man on the list, jaded reporter Smitty Cobb (Melvyn Douglas), is offended when Janet says she hopes to prove her husband died in vain to save five worthless men, and offers to "introduce" Janet to each of the men through hypnotism.
The Big Heat
A police officer seems to have committed suicide, but Detective Dave Bannion thinks there's more to the story. After talking to the man's mob-connected mistress, Bannion discovers far-reaching corruption that leads all the way from the police station to kingpin Mike Lagana. But when the policeman's lover is killed, it becomes clear that crossing Lagana is a dangerous thing to do. Soon Bannion finds himself marked for death and his family in mortal danger.
American Madness
During the Depression, the bank owned by generous Dickson (Walter Huston) is barely staying afloat, and things get worse when $100,000 is lifted from the vault. Fingers are pointed at reformed crook Matt (Pat O'Brien), who got a job and a fresh start from Dickson. The innocent Matt can clear his name by admitting that on the night of the robbery he was breaking up a tryst between Dickson's wife and another teller. But this revelation may crush Dickson, and Matt's conscience plays tug-of-war.
711 Ocean Drive
Mal Granger (Edmond O'Brien) is a telephone repairman with a passion for horse betting. He puts his electronics expertise to work assisting gangster Vince Walters (Barry Kelly) in expanding his illegal racing wire, and, when Walters is murdered, Granger takes over the operation. However, Granger's growing success is soon threatened by both Larry Mason (Donald Porter), an East Coast mobster who wants in on the action, and Lieutenant Pete Wright (Howard St. John), who's after Granger for murder.
The Whole Truth
On the French Riviera, movie producer Max Poulton (Stewart Granger) is on location shooting a film starring his lover, Gina Bertini (Gianna Maria Canale). But when the rueful Max ends his fling with Gina to return to his loyal wife, Carol (Donna Reed), the jilted actress threatens to reveal details of their affair to Carol. Later, at a party at Max's villa, investigator Carliss (George Sanders) arrives with news that Gina has been killed and that Max is a murderer suspect.
The Fuller Brush Man
Clumsy sanitation worker Red Jones (Red Skelton) is fired from his street-cleaning job shortly after his girlfriend, Ann Elliot (Janet Blair), refuses his marriage proposal until he betters himself. While training to become a door-to-door salesman, he accidentally stumbles into a murder investigation when the corrupt sanitation commissioner (Nicholas Joy) who had fired him is killed. When the murder weapon is found to be one of the brushes Red sells, he must fight to prove his innocence.