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The brightest stars and celebrated movies spanning the Golden Ages of Hollywood.
Dark Passage
Vincent Parry (Humphrey Bogart) has just escaped from prison after being locked up for a crime he did not commit -- murdering his wife. On the outside, Vincent finds that his face is betraying him, literally, so he finds a plastic surgery to give him new features. After getting a ride out of town from a stranger, Vincent crosses paths with a young woman (Lauren Bacall) who lets him stay in her apartment while he heals and continues to try and clear his name.
Hands of the Ripper
A Freudian psychiatrist (Eric Porter) covers up for his patient, the homicidal daughter (Angharad Rees) of Jack the Ripper.
The Frogmen
Newly-stationed Lt. Cmdr. John Lawrence (Richard Widmark) takes over as leader of an elite team of Navy divers aboard a submarine in the Pacific during World War II. Gruff and confrontational, Lawrence isn't popular with the crew, especially after sending a team -- led by Jake Flannigan (Dana Andrews) -- out on a dangerous mission. But when a Japanese torpedo threatens the boat, Lawrence earns the respect of the crew by risking his life to save them.
Little Big Man
When a curious oral historian (William Hickey) turns up to hear the life story of 121-year-old Jack Crabb (Dustin Hoffman), he can scarcely believe his ears. Crabb tells of having been rescued and raised by the Cheyenne, of working as a snake-oil salesman, as a gunslinger, and as a mule skinner under Gen. Custer (Richard Mulligan). As if those weren't astonishing enough, he also claims to be the only white survivor of the infamous Battle of the Little Bighorn.
...And Justice for All
Satirical drama in which an idealistic lawyer who tries to win cases for clients trapped in a hypocritical and corrupt legal system finds himself defending a venal and self-righteous judge accused of rape. The judge wrongly assumes the lawyer's ideals and disdain for the courts will drive him to get an acquittal, despite the evidence and the loathing they have for each other.
Death Wish
Once a mild-mannered liberal, New York City architect Paul Kersey snaps when intruders break into his home, murdering his wife and violently raping his daughter. A business trip to Tucson, Ariz., lands him a gift from a client, a revolver he uses to patrol the streets when he returns home. Frustrated that the police cannot find the intruders, he became a vigilante, gunning down any criminal that crosses his path. The public finds this vigilantism heroic.
An Eye for an Eye
A San Francisco policeman (Chuck Norris) quits the force to avenge his partner's murder by Asian drug dealers.
Heaven Can Wait
Spoiled playboy Henry van Cleve dies and arrives at the entrance to Hell, a final destination he is sure he deserves after living a life of profligacy. The devil, however, isn't so sure Henry meets Hell's standards. Convinced he is where he belongs, Henry recounts his life's deeds, both good and bad, including an act of indiscretion during his 25-year marriage to his wife, Martha, with the hope that His Excellency will arrive at the proper judgment.
One-Eyed Jacks
After pulling a bank heist in Mexico, the outlaw Rio (Marlon Brando) and his partner, Dad Longworth (Karl Malden), make a run for it, but Dad has bigger plans than freedom. He betrays Rio and absconds with the loot, and Rio ends up in prison. Years pass before Rio finally breaks free to enact his long-plotted revenge. Tracking Dad to California, Rio learns he's become a sheriff -- which is no deterrent -- but when Rio falls for Dad's stepdaughter, Louisa (Pina Pellicer), he has second thoughts.
My Darling Clementine
In the middle of a long cattle drive, Wyatt Earp and his brothers stop off for a night in the town of Tombstone. The next morning they find their cattle stolen, and one of the brothers is dead. Earp suspects the Clanton family, owners of the O.K. Corral, but wants his revenge to be legal. He becomes sheriff of Tombstone and forges a rough peace with an alcoholic gambler, Doc Holliday. Earp also takes a liking to Holiday's former girlfriend, Clementine.
The Moonlighter
Wes Anderson is caught cattle rustling and promptly jailed. The public is outraged, but, since Wes always worked at night, they don't know what he looks like. Still, they break into the prison and lynch a hobo they think is Wes, while the actual culprit sneaks off to see his old flame, Rela, who has recently taken up with his straitlaced brother, Tom. But Tom is envious of his outlaw brother, and he decides to join Wes in a life of crime.
Call Northside 777
In 1932, Frank Wiecek (Richard Conte) is convicted of the murder of a Chicago policeman in a mob-connected speakeasy. Eleven years later, his mother, Tillie (Kasia Orzazewski), takes out a newspaper classified ad asking for information about the crime. Hard-bitten city editor Brian Kelly (Lee J. Cobb) assigns skeptical reporter P.J. McNeal (James Stewart) to investigate. The first studio feature ever shot on location in Chicago, the film is based on a true story.
Dear Brigitte
Poet and professor Robert Leaf (James Stewart) has a disdain for the sciences. Unfortunately for him, his son Erasmus (Bill Mumy) is colorblind, completely tone-deaf and a natural math prodigy. While the professor tries to come to terms with his son's predilection for numbers, the talented youth and his sister Pandora (Cindy Carol) use his math talents to win at the racetrack. Erasmus hopes to use the money he makes to fly to Paris and meet Brigitte Bardot, with whom he is infatuated.
Mr. Hobbs Takes a Vacation
Banker Roger Hobbs (James Stewart) wants to spend his vacation alone with his wife, Peggy (Maureen O'Hara), but she insists on a family vacation at a California beach house that turns out to be ugly and broken down. Daughter Katey (Lauri Peters), embarrassed by her braces, refuses to go to the beach, as does TV-addicted son Danny (Michael Burns). When the family is joined by Hobbs' two unhappily married daughters and their husbands, he must help everyone with their problems to get some peace.
The Flight of the Phoenix
Tense tale about a group of men who are left stranded in the middle of the Arabian desert after a plane crash. Their only hope of survival is to rebuild the craft so that, phoenix-like, she may fly again and carry them to safety, but can the captain and navigator calm the passengers as tension mounts and time starts to run out?